Artist Statement
As a Meskwaki, Anishinaabe, Mexican, and French American woman, my art honors and preserves Indigenous stories. I combine Meskwaki culture with a range of art forms, including archival and contemporary photographs, beadwork, textiles, ceramics, and printmaking. This work is important to me because many Indigenous languages, including Meskwaki, are at risk of disappearing within a generation. I feel a strong responsibility to incorporate the Meskwaki culture in my art to help preserve our heritage. Through my practice, I aim to highlight our vibrant culture and challenge negative stereotypes in mainstream media. I address contemporary Indigenous issues with humor, playfulness, storytelling, or sometimes shock value, which reflects both our challenges and our resilience. My work invites non-Indigenous audiences to learn and approach these topics with openness. I believe that focusing on shared values of community and connection can foster healing, rather than the individualism that has harmed both Indigenous and non-Indigenous communities. Although these topics are complex and often difficult to discuss, my art confronts them directly, adds depth, and encourages greater understanding.
Chief Youngman Afraid of his horses, Bead & ribbon work on Photograph (2025)